Monday, 25 January 2021

Thoughts on Weekly Shonen Sunday's current line-up

 Weekly Shonen Sunday opens the new decade with a stable lineup. So lets see its current line up.



Sousou no Frieren (Lead Color)
Detective Conan: Zero's Tea Time
MAO
Komi-san wa Komyushou Desu
Major 2nd
Yofukashi no Uta
Nokemono-tachi no Yoru (Color)
Ryuu to Ichigo
Maou-jou de Oyasumi
Aozakura Bouei Daigakukou Monogatari
Tonikaku Cawaii
Be Blues! - Ao ni Narei
Ponkotsu-chan Kenshochu
Kimi wa 008
Hoankan Evans no Uso (Color)
Souboutei Kowasu Beshi
Maiko-san Chi no Makanai-san
Alice in Borderland RETRY
Amano Megumi wa Suki Darake!
Switch
Sokyuu no Adriadne
Itoyan goto Naki
Zettai Karen Children
Youkai Giga
Tokaichi Hitoribocchi Nouen

ABSENT: Detective Conan, Daiku no Hatou
(Hiatus) Arata Kangatari


Instead of going down through the table of contents, I want to first analyse where the stability of Sunday comes from. As I see it a key component of this stability is obviously the presence of Detective Conan, a series with iconic cultural status which many people tune in on Saturdays evenings to watch its anime. Its incredibly successful anime is a factor in this but the manga also continues to sell well, it is currently Sunday best selling series and it has a towering presence over any other series in the magazine.  

This strong popular magnetism of Detective Conan has meant spin off series have come to appear in the pages of Sunday as well. The most recent ones being Zero Tea's time and Wild Police Force whilst the latter has ended the former appears in the magazine infrequently but they nonetheless show how important Conan is for Sunday.

Komi-san is a strong series in Sunday's line up, sales wise it is still one of the best selling series, even if its sales seems to be in decline at the moment. The editors seem to have stepped back some of the attention they gave it earlier, probably to give space for the much newer series that have not found such levels of popularity. It continues, however ,to be one of the most popular Sunday series and one that many people wish to see animated someday to see it reach new heights but whether that will happen we will just have to wait and see. 

Another series that could be said to be a strong weight lifter in the magazine is Kotoyama latest work 'Yofukashi no Uta.' It is a relatively new series in comparison to Komi but it has become a good stable seller in the magazine and whilst it has not reached the level of popularity that his previous work had in its peak yet, it sells really well in comparison to the rest of the magazine. Perhaps, with an anime in the future it could match or even surpass Dagashi's peak, but that is also something we will have to wait to see. However, neither Komi-san or Yokufashi are the second best selling in the magazine beneath  Conan, after all that title is reserved for Major 2nd at least for the moment. 

Major 2nd is similar in a way to Conan in that it is a very popular series, but unlike it, it is a sequel to the popular 'Major' baseball series that ran on Sunday in the past. Major 2nd following from its prequel was immediately popular since its debut and it continues to be one of the best selling series in Sunday even though it has being ongoing for a a few years already. It has during its current run received two anime seasons but these never boosted its sales to a large extent and the moment its sales seem to be on a downward trend. Despite this it is still a staple in the magazine albeit one that is boosted by its sequel status to an older popular work. 

This brings us to other sports series in the magazine. Be Blues which has been ongoing for a long period, it is similar to Major 2nd in that it is a stable series for the magazine. It does not have the same level of success but it has managed to maintain a decent level of sales but its sales seem to have reached a peak and have since stagnated. It unlike Major 2nd has not had a anime adaptation but it is also by a veteran author with prior successes in Sunday in his curriculum.

Switch on the other hand is one of the younger series in the magazine that has established itself. Unlike Major 2nd or Be Blues, it is from a newbie author. It has nonetheless manage to claw for itself a space in Sunday via growing sales albeit it is still not a big selling series by any stretch of the imagination. It continues to slowly grow but the increase in sales comes in very small chunks and not in leaps which does not paint a picture of a series that will be a star for the magazine in the coming future, unless it of course receives an anime or gets a boost in sales from another source. 

Going from one series that has been making space for itself in the magazine to another, lets move on to Frieren. Frieren has quickly managed to become a title with a lot of promise for Sunday by selling well right from the get go and its second place rank in Kono Manga ga Sugoi is sure to boost it sales further.  Its a golden egg that has a promising future for Sunday. Likewise, Ryuu to Ichigo is also a newer series that started around the same time as Frieren, it has not managed to reach the anywhere the same level of popularity or sales. It has nonetheless established a space for itself in the magazine though it has only a passable level of sales at the moment. Hence, it is likely going to become a middling series in the magazine.

Talking about middling series the likes of Kim wa 008, Tonikaku Kawaii and Sleeping Princess all fit in this category, some are better fit than others however. Both Tonikaku kawaii and Sleeping Princess sell reasonably well, the former sells more but the latter is much further into its run and its sales had stagnated and declined over the last few years. However, both have received anime quite recently and neither has particularly found themselves moving up a tier in sales and Frieren looks set to easily outsell both in no time if it has not already. Kimi wa 008 on the other hand has lower sales than the other two but it has a stable level of sales that should sustain it for a reasonable run in the magazine. An anime for it might not be a remote possibility either even though the anime industry has moved on from such such eechi series in recent times though they still shows up to a certain degree every now and then. 

Alongside these series is of course Ariadne and Maiko-san. Both these series have middling tier status in the magazine, the latter has been on going for longer and its sales are much better but like the others they both are established in the magazine but are not big hits. So they simply do not have the same sort of attention as the more popular stuff. Aozakura also fits alongside these series in the middle tier of the magazine. Likewise this is also the case for Amano Megumi. These series whilst not as big as some of the top selling stuff of the magazine, they form the majority of the magazine and for any magazine to sustain itself it needs to have a strong middle tier alongside the big titles. Sunday's middle tier has average sales for the most part with some highlights here and there, but through them the magazine shows a wide variety of genres that can capture different audiences. 

Daiku no Hatou is a series, I wanted to talk about on its own. It is a series that has established itself in magazine in one way or another but its sales according to shoseki at least are rather poor.  Of course, this does mean its sales are poor everywhere since shoseki does not cover every bookstore in Japan or digital sales at that. Clearly, the editors believe its popularity in magazine and its sales are appropriate enough for it to continue in the magazine till this day. Likewise this is the case with Nokemono-tachi, one of the newer series thats just passed its first anniversary in the magazine but its sales according to shoseki are not good but it continues in the magazine regardless. I do not believe people in the editorial department would keep really unpopular series in the magazine so I am sure these series have a level of popularity thats acceptable regardless of what shoseki might show.


Saturday, 23 January 2021

Where are they now - Axed authors from Champion

Suzuki Kai - Author of Kurotora (ended in 2015) 

Kurotora Vol 1













Latest work - 'Bokura no Seishun Mokushirou' one-shot in 2016-15.

Donsoku Mainichi - Author of 'Magicalo Magical' (ended in 2016) - 

Magicalo Magical vol 1

Latest work - he/she has published nothing ever since. (possibly changed pen name?)

Matsumoto Yutaka - Author of Sumeragi Dressers (ended in 2016)

Sumeragi Dressers Vol 1













Latest work - 'Ikoku no Hime no Lupgirl' in 2019-50. Alongside this he also published another one-shot.

Hikari Sumi - Author of Nikoben (ended in 2016) 

Nikoben Vol 1













He was the illustrator for the series 'Last Order' that was published in Heros online manga service. 

Satou Shuuichirou - Illustrator of Badbros (Ended in 2016) 

BADBROS Vol 1













Latest work - 'Kidou Katen Reizoku' one-shot in 2018-09. Alongside this he also published another one-shot in Bessatsu Shonen Champion.

Suzuki Yuuta - Author of Seigi no Satsujinki (ended in 2016)

Seigi no Satsujinki Vol 1













Latest work -'Henryou Mieru Sasa' one-shot in 2018-11 in Bessatsu Shonen Champion. Alongside this he/she published another 5 one-shots and had a short series in WSC from 2017-23 to 2017-24.

Kisanuki Tani - Author of Maruyuu Kunoshima-san (Ended in 2017) 

Maruyuu Kunoshima-san Vol 1













Latest work - 'Classmates' oneshot in 2017-50.

Urata Kazuhiro - Author of JINBA (ended in 2017) 

JINBA Vol 1













Latest work - he/she has not published anything ever since.

Shirato Yuusuke - Illustrator of Utsurou Kimi To (ended in 2017) 
Latest work - illustrator for 'Hibari Blink' oneshot published in 2019-09 Bessatsu Shonen Champion.

Hajime Furukawa - Author of Utsurou Kimi To (Ended in 2017)
Latest work - he/she has not published anything ever since. 

Utsurou Kimi To Vol 1














Amayama Maya - Author of Chikakarachika (ended in 2015) and Otae-san Kyou mo Tabetai (ended in 2018) 

Chikakarachika and Otae-san Kyou mo Tabetai Vol 1














Latest work - he/she has not published nothing ever since. 

Ikada Kai - Author of Great Old (Ended in 2018) 

Great Old Vol 1













Latest work - 'Dosanko Gyaru Namaramenko' serialised in Jump +. 

Shigemoto Hajime - Author of Uten Kekkou (ended n 2015) and Gyakushuu Inferno (Ended in 2018)

Uten Kekkou Vol 1 
Gyakushuu Inferno Vol 1













Latest work - 'Gakkou no Hasegawa-san' oneshot published in 2020-05 Bessatsu Shonen Champion.

Mizumori Takashi - Author of Mount no Taiyou (Ended in 2019) 

Mound no Taiyou Vol 1













Latest work - 'Bocchi wa Ace wo Lead Shitai serialised in Manga One.

Haitani Otoya - Author of Junior (ended in 2019)

Junior Vol 1













Latest work - 'Jinx' short series from 2019-47 to 2019-49.

Saitou Keigo - Author of Akatora (Ended in 2019) 

Akatora Vol 1













Latest work - 'Kizudarake no Piano Sonata' serialised in Jump +.

Haiba Nemumi - Author of Ashigei Shoujo Komura-san

Ashigei Shoujo Komura-san Vol 1













Latest work - he/she has not published anything ever since.

Furuta Tomohiro - Author of Boryaku no Panzer (Ended in 2019) 

Boryaku no Panzer Vol 1













Latest work - he/she has not published anything ever since. 

Shokubai Hiroomi - Author of Dorakon (Ended in 2020) 

Dorakon! Vol 1













Latest work - he/she has not published anything ever since. 

The author names without links are the ones I could not find any SNS or website and the likes. If you do know or can find it, please let me know in the comments.

Friday, 22 January 2021

Thoughts on Manga Awards

There are many manga awards both in Japan and outside it, one could say they have different functions. Be it an award to a particular series for its quality or innovation or for some other achievement maybe its cultural impact and so on. There are, however, distinguishing factors between awards, for example lets take the Manga Taisho and The Japan Media Arts Festival awards. The former is an award aimed exclusively at manga organised by bookstores, hence the selection process and judging is done by book store employees. In the latter, we have an awards festival organised by a governmental body of the Japanese state which encompasses many other mediums such as anime, films and the likes. Each criteria has judging panel made of critics and they are the ones that select the winners in their respective categories. Hence, we have different type of awards and I want in this post to think about these different arrangements for awards and give my thoughts on the shortcomings of them. 


Image from Manga Taisho Official website

Latest Award results - 

2020 Winner - Blue Period.

First of the Manga Taisho has as I have previously said has a close connection with bookstores employees. I say bookstore employees but I am referring specifically to the people in charge of the manga section in bookstores. The problem for me here lies in the fact that bookstores employees have an underlying economic interest that might influence their decision. Of course, this comes from the fact that they are in essence manga marketers and hence they value accessibility and the marketing potential of series more so than perhaps an unique story, artstyle or any ingenuity they bring to the medium. 

Another thing that goes alongside with this commercial interest is that the Manga Taisho is highly commercialised since it is directly tied to bookstores, the winner and even nominees are promoted in bookstores and subsequently they receive a lot of marketing from it. Therefore, the bookstore's direct involvement in this award gives it a heavier commercial focus than perhaps any other award. That is not necessarily a bad thing but it does however mean that the series nominated and awarded are more often than not usually to series with a potential for marketing more so than any other quality. 


Image from Tsugi Ni Kuru Manga Award official website

Latest Award results

Comics Winner - Undead Unluck               -                 Web Manga Winner - The Dangers in My Heart

There are other awards like the Tsugi Ni Kuru manga award held by niconico every year since a few years ago. It is an award driven by voting by niconico and Social Network Services that can interlink accounts with niconico.  It is a much simpler award in general, the series are nominated by voting through SNS and the ones with most votes are nominated for another round of voting. In this round of voting, people vote for a total of three selected series from two categories web manga and comics. The winner is of course the one with the highest amount of votes. 

It a simple award driven by the popular vote. Of course, because it is driven by popular votes, popular series have a natural advantage over other series. In addition to this, the use of SNS also adds another factor that gives a favour to series with a large SNS following. These are essentially the same fault because this sort of award driven by popularity albeit democratic it forgoes a principle of equal footing as series with niche themes or in less popular magazines and the likes are naturally disadvantaged. I tag awards like this as popularity contests because it does not market the award as a selection of great series but instead it is an attempt to highlight upcoming popular series. It is less commercially focused as Manga Taisho but both will naturally skew towards more popular works for the different reasons I have highlighted. 


Image from Amazon jp
Image from Official Freestyle website


Latest Award results 

Kono Manga ga Sugoi - 1st Chainsawman

Kono Manga ga Yome - 1st Les Voyages du Prince Takeoka

These are not awards in any sense of the word but list created yearly. These lists are made in Kono Manga ga Sugoi's case through the selection of book store employees and judges. Yome differs from Sugoi in that it excludes book store sellers and only uses judges to make its selections. Hence, these lists can often exclude a great deal of series since it has a limited scope of what the people handling the selection process have read. 

In addition, these magazines are made for a purpose, to recommend manga but also to sell and therefore sometimes they fall back into popular titles especially for the top positions. This is more so an issue in Kono Manga ga Sugoi since Yome is a niche magazine. This is even a bigger issue in my eyes since book store employees play a part in selection which like with the Manga Taisho is a problem because of their economic ties with the list. Sugoi has a deep presence and the top ranking series are promoted heavily in book stores so it is a publicity and commercially driven process and the presence of book store employees solidifies that. I believe this sort of 'award' does not give like with Tsugi Kuru Manga, a unbiased view on the series and it more often than not skews towards more commercially successful series at least in the higher positions like the top three that are more visible. 


Image from Doodle Arts


An awards festival that includes many other categories alongside manga such as animation. The difference here is that this is an event organised by the Agency for Cultural Affairs of Japan, a state agency under the MEXT. It is therefore an awards festival organised not for profit but to promote culture and cultural development. This is an yearly festival since 1997 and its opens itself for submissions for a period of usually a couple of months. After the submission period is over, there is a judging process with the winners announced at the start of the festival. The judges are manga critics and they are chosen by the organising body, and they are listed and for every medium. All awarded series and even the ones that did not quite make receive comments by the judges in English, Chinese, Korean or Japanese. 

This award feels a lot more open than others and because it is done through submissions by authors/publishers it avoids certain issues around manga critics. One of the problems with Manga Critics is as Kentarou Takekuma acknowledge there is a limit to the amount of manga one can read and magazines with rankings like Kono Manga ga Yome that are shaped by critics sometimes have this issue. The format of the Japan Media Arts Festival Manga awards circumvents this issue through its submittal process which gives technically every series a equal ground as the judges have to go through all of them. Alongside this is the fact that this is the most an award can be exempt from any bias or any particular interest since it a cultural award by an organ of the state that does not have to play to any economic interests. Hence, this award is by far the the most perfect in my eyes and likewise it is seen by many as the most prestigious one. 

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Saturday, 2 January 2021

WSC 2020 in numbers

Table of contents for Issue 2020/1 and issue 2020/52.

Colour Page distribution ranking by total received.
  • 15 - Yowamushi Pedal - 7 colour pages and 8 opening colour pages. (Down 1)
  • 14 - Mairimashita! Iruma-kun - 10 colour pages and 4 opening colour pages. (Down 2) 
  • 13 - BEASTARS - 8 colour pages and 5 opening colour pages. (Down 1)
  • 13 - Makai no Shuuyaku wa Warewareda - 9 colour pages and 4 opening colour pages. (New)
  • 10 - Appare! Super Radical Gag Family - 7 colour pages and 3 opening colour pages. (Same)
  • 10 - SHY - 8 Colour pages and 2 opening colour pages.  (Up 5)
  • 9 - Rokudou no Onnatachi - 7 colour pages and 2 opening colour pages. (Down 2)
  • 9 - Worst Gaiden Guriko - 9 colour pages. (Down 7)
  • 9 - Yankee JK Kuzuhana-chan - 9 = 7 colour pages and 2 opening colour pages. (New)          
  • 9 - A Girl who Cant Speak Thinks 'she is too kind.' - 6 colour pages and 2 opening colour. (New)
  • 8 - Governess Nazuna-san - 7 colour pages and 1 opening colour page. 0
  • 8 - Harigane Service Ace - 7 colour pages and 1 opening colour page. (Down 1)
  • 8 - Tougen Anki - 8 = 5 colour pages and 3 opening colour pages. (New)
  • 7 - Meika-san cant conceal her emotions - 7 = 6 colour pages and 1 opening colour page. (New)
  • 7 - The Vampire Dies in No Time - 5 colour pages and 2 opening colour pages. (Up 3)
  • 6 - Atsumare! Fushigi Kenkyuubu - 5 colour pages and 1 opening colour page. (Down 1)
  • 5 - Baki Dou - 5 colour pages.  (Down 3)
  • 5 - 'Ippon' Again - 5 colour pages. (Down 1)
  • 3 - Usotsuki Android - 2 colour pages and 1 opening colour page. (New)
  • 1 - Hagure Yuusha no Isekai Bible - 1 opening colour page. (New)
  • 1 - Furutto on Thursday - 1 Opening colour page. (Down 1)
  • 1 - The Ghost is behind the Gal - 1 colour page and 1 opening colour page.  (New)
Volumes released by series ranking
  • 6 - Rokudou no Onnatachi
  • 6 - Yowamushi Pedal 
  • 5 - BEASTARS
  • 5 - Harigane Service Ace
  • 5 - 'Ippon' Again
  • 5 -Mairimashita! Iruma-kun
  • 5 - Worst Gaiden Guriko
  • 4 - SHY 
  • 3 - Appare! Super Radical Gag Family
  • 3 - Atsumare! Fushigi Kenkyuubu
  • 3 - Baki Dou
  • 3 - Makai no Shuuyaku wa Wareware da 
  • 3 - Yankee JK Kuzuhana-chan
  • 2 - A Girl who Cant Speak Thinks 'she is too kind.' 
  • 2 - Governess Nazuna-san 
  • 2 - Meika-san cant conceal her emotions
  • 2 - The Vampire Dies in No Time
  • 1 - Tougen Anki
  • 0 - Usotsuki Android
  • 0 - Hagure Yuusha no Isekai Bible
  • 0 -The Ghost is behind the Gal
New series by Issue number

  • 1 - Suiyou Dou Deshou - Oizumi You no Horror Hanashi by Oizumi Yo & Hoshino Koichiro
  • 6 - Makai no Shuuyaku wa Warewareda da by Osamu Nishi & Koneshima and Atsushi Tsudanuma
  • 7 - Baku-kun by Tanaka Yuuji (Ended)
  • 8 - Meika-san cant conceal her emotions by Syoki Sato
  • 11 - A Girl who Cant Speak Thinks 'she is too kind.' by Yamura Ichi
  • 16 - Yankee JK Kuzuhana-chan by Sogabe Toshinori
  • 18 - Governess Nazuna-san by Heriyama
  • 29 - Tougen Anki by Yura Urushibara
  •  43 - Usotsuki Android by Atou Irie
  • 49 - The Ghost is Behind the Gal by Hashimoto Kurara
  • 52 - Hagura Yuusha no Isekai Bible by Nakayama Michiru

Short series by issue number

  • 35-36 - Tensai ikari by Arai Shuntarou 
  • 40-47 - Boil Flow by Hirahira Nasuko 
  • 39-42 - Shissou Shoujo by Yanebashi Naoki 

One-shots by Issue number

  • 12 - Mahou Shoujo Babumin by Hirahira Nasuko
  • 13 - Seishuun  Shout by Kikuchi Sachiyo
  • 14 - Ittekimasu ga Ienakute by Tsuneki Netarou
  • 15 - Hagure Yuusha no Isekai Bible by Nakayama Michiru
  • 19 - Oyaji Saka 46 - Hayashi Kitamura
  • 20 - Jyoubutsu Challenge by Mori Moriko
  • 24 - KINGMAKER by Noda
  • 30 - Gesen Ranbu by Hiroaki Kurihara
  • 31 - Agent BBA by Atou Rie
  • 32 - Kasadorohou wo Oikakete by Atou Rie
  • 34 - Madoromi by Hamayan
  • 45 - Bokura no VR by Kiri Kitetsu

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