Sunday, 17 March 2019

Thoughts on Mairimashita! Iruma-kun Anime

There has been news about Iruma-kun's anime. In a incredibly shock, it will actually air in NHK-E. NHK-E is sister channel of NHK General TV and obviously both are operated by public company NHK - E which stands for education. It is a channel aimed at the younger audience. A key point of NHK-E is that it is a nation wide open terrestrial channel for everyone since its a public TV station but of course the viewer has to have paid the TV license fee. Other channel do not necessarily have the same broad reach NHK has, so obviously this will provide Iruma with nation wide exposure.

Iruma-kun will be the first Weekly Shonen Champion to air in NHK-E. It will also be only the first tv series by champion to air in daytime since Black Jack and prior to that was Gaki Deka.

NHK-E, or E tele, has a long past of airing animated works not only Japanese but also foreign works.  Recent anime adaptation that aired in the last few years were Log Horizon, Kyokai no Rinne, Classicaloid, Major 2nd, Radiant all these within the Saturday 17:35 TV Slot.

Baby Steps anime aired in 2014 April. It aired in 17:30 on Sunday. Currently, this slot is occupied by Thomas and Friends. There is a possibility of Iruma-kun airing in this time slot, since  the current and latest season Thomas and Friends, will end around September. However,  the chances are low simply because they might simply rebroadcast Thomas in that time slot until the following season has been completed in Britain.

Baby Steps Volume sales -
│*36238 (3)│*67517│------│------│------┃*67,517 (*10)┃2013/02|ベイビーステップ 25
│*37882 (3)│*67225│------│------│------┃*67,225 (*10)┃2013/05|ベイビーステップ 26
│*33584 (3)│------│------│------│------┃*33,584 (**3)┃2013/08|ベイビーステップ 27
│*36225 (3)│*66443│------│------│------┃*66,443 (*10)┃2013/11|ベイビーステップ 28
│*36507 (3)│*67856│------│------│------┃*67,856 (*10)┃2014/01|ベイビーステップ 29
│*57463 (7)│------│------│------│------┃*57,463 (**7)┃2014/03|ベイビーステップ 30
│*72973 (6)│*94711│------│------│------┃*94,711 (*13)┃2014/06|ベイビーステップ 31
│*28424 (2)│*86105│------│------│------┃*86,105 (**9)┃2014/08|ベイビーステップ 32
│*86953 (7)│109537│------│------│------┃109,537 (*14)┃2014/11|ベイビーステップ 33
│*95096 (6)│------│------│------│------┃*95,096 (**6)┃2015/03|ベイビーステップ 34
│*54626 (3)│104457│123009│------│------┃123,009 (*17)┃2015/05|ベイビーステップ 35
│111117 (7)│138013│------│------│------┃138,013 (*14)┃2015/08|ベイビーステップ 36
│*65174 (3)│122267│141377│------│------┃141,377 (*17)┃2015/10|ベイビーステップ 37

I will not delve on aspects of the series as I have previously done already in previous posts.

Now lets look at the staff, of excellent quality I must add.

Director: Makoto Moriwaki (Pripara.Tantei Opera Milky Holmes)
Series Composition: Kazuyuki Fudeyasu (Pripara, Tantei Opera Milky Holmes, Gochuumon wa Usagi Desu Ka?, Tensei shitara Slime Datta Ken)

Firstly, we have Makoto Moriwaki, a experienced director which has handled a lot of long series, popular series in the past. She and Kazuyuki Fudeyasu have worked together in the past. So they have experience and synergy which is very important between director and series compositor. the fact they have in worked together extensively in the past is uplifting for Iruma-kun.

Works like Pripara in which they collaborated were very successful, obviously it was based on a popular arcade game. it was an anime that was aimed at kids, it aired in the afternoon, but it was popular with people in other age groups as well. Iruma is rather different content wise from pripara and obviously its relatively obscure but previous experience by the key staff in handling family/children orientated series is great news.

The strength of Moriwaki lies in the fact her deep experience with popular anime geared at children which is what Iruma-kun will be trying to emulate. Fudeyasu on the other hand, has worked in many anime of different genres and audiences. He has vast experience and for me personally he has worked in many series, I have watched and enjoyed. As the series compositor, he will be handling the pacing amongst other important aspects so he will obviously play a big role on the quality of the series.

Character Design: Toshihiko Sano (Fairy Tail, Heybot)

Toshihiko Sano does not many works under his name, Fairy Tail and Heybot are the only previous character design work he has done. In Heybot he was one of the key staff handling many important tasks. Heybot was artistically pleasing, at least to me, it  had array of character designs. In addition the character designs in key visual look good and more polished but clearly resembled the manga's artwork.

Music: Akimitsu Honma (Wotaku ni Koi wa Muzukashii, Kyokai no Rinne)

Akimitsu Honma is again not someone with a wide list of works under his name, in anime at least. In the music production business he has an wide list of works, it seems to be his main job. There is not much I can say about him but he seems experienced in the music field so he should be able to do a good job.

Studio: Bandai Namco Pictures

Because the main staff are mostly composed of freelancers  there is not much to comment on the studio itself. BN Pictures is the studio tied to Bandai Namco. It was created when they decide to transfer all IP aimed at children and family orientated away from Sunrise. Some works under its name are Aikatsu, Gintama and the previously mentioned Heybot.

Whatever the end product ends up looking like the staff for me personally seems capable of delivering a good product. This is obviously a manga that NHK and other producers see potential in
 in pushing forward. It is a happy fun series that will be aiming directly at younger audiences so if it catches popularity it  could be a big win for Champion but we shall wait till Fall to see what happens.








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